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Oct 08, 2018  Summary: RX 7 Advanced is iZotope’s flagship audio editor, which focuses on correcting, fixing and perfecting audio. Previous versions were more or less focused on music improvement, while the latest version focuses on dialogue and surround sound, making RX 7. The advanced edition of RX 7 takes nearly all of the modules provided in RX 6 Advanced and implements a graphic overhaul more in line with iZotope's current aesthetic. You'll also find many new and powerful modules, including Dialogue Contour, Dialogue De-reverb, Variable Time, Variable Pitch, Music Rebalance, and the Repair Assistant.

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Presets

From the Preset Manager, you can select from default presets and presets you have saved.

To browse presets, press the Presets button and click the name of any preset. If you like what you hear, press the Presets button again to hide the window.

• ADD: Clicking this button adds the current settings as a new preset. You can type a name and optionally add comments for the preset.
  

  Note

  • Note that a few keys such as * or / cannot be used as preset names. If you try to type these characters in the name they will be ignored.
    
  • This is because presets are stored as .XML files for easy backup and transferring. Their filenames are the same as the names you give the presets (for easy reference) and therefore characters that are not allowed in Windows file names are not allowed in preset names.
    
  
  
• REMOVE: To permanently delete a preset, select the preset from the list and click the Remove button.
  
• UPDATE: When you click the Update button, your current settings before you opened the preset window are assigned to the selected preset (highlighted). This is useful for selecting a preset, tweaking it, and saving your changes to the existing preset.
  
• IMPORT: Imports a preset into the preset folder.
  
• FOLDER: Opens a dialog that shows your current preset folder. You can also select a new preset folder from this dialog.
  
• RENAMING PRESETS: You can double click on the name of a preset to enter the edit mode and then type a new name for that preset.
  
• CANCEL: Press Escape to close the preset system dialog and revert to the settings when you opened the preset manager.
  

History

Pressing the History button opens the History window. This view gives you a list of all of the actions you’ve performed inside the plug-in, allowing you to step back to previous settings and undo changes.

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• CLEAR: Resets the History list.
  

Mar 11, 2019  iZotope RX 7 Post Production Suite 3.02. Or rebalancing music stems with Music Rebalance all with multichannel support up Dolby Atmos 7.1.2. Insight 2 Insight 2 is a trusted component of award-winning post production and music studios, and it helps you achieve that pro sound. This comprehensive metering and audio analysis plug-in is perfect. Mar 05, 2019  iZotope furthers the RX line with RX 7, offering innovative new features such as Dialogue Contour, Music Rebalance, and more. Since I started working professionally in the audio industry over fifteen years ago, I have watched iZotope grow by leaps and bounds to become one of the most respected pro audio brands on the market. Oct 28, 2019 I don't have the music rebalance component in my libraryaudioplug-in folder. It looks like you can do it in Logic which i haven't tried, but i read this but get lost at step 4 because there is no external sampler editor option in Maschine: RX can be used as an audio editor within Logic Pro X to process your audio offline. Every engineer or producer needs top-notch tools, and iZotope’s Music Production Suite 3 delivers the goods. Achieve superior mixes with Neutron 3 Advanced. Forge ear-popping vocals with VocalSynth 2, and polish them into stunning centerpieces with Nectar 3. For outstanding repair and restoration, reach for RX 7 Standard.

I/O Meters

• Select plug-ins feature an input and output gain control and input and output metering.
  
• In stereo instances of the plug-ins, the gain controls are linked stereo gains.
  

Options

General Options

Authorization & Updates

The Authoriztion and Updates section of the General Options tab includes the following options:

• Updates
  
  • Check now: Opens the iZotope Product Portal application and checks for available updates to RX.
    
• Authorization: Learn more in the Authorization chapter.
  

Host Performance

• View Buffers: Shows buffer information from the host’s track. This is useful for diagnosing problems like audio dropouts or rare problems caused by inconsistent buffer sizes.
  
• Host Sync: Shows information reported from the host program about playback location, loop and transport state, tempo, etc. (when applicable). This is useful for diagnosing some rare timeline-related problems in specific DAWs.
  
• Enable Multicore (Spectral De-noise only) This option is available in the Spectral De-noise plug-in. Enabling this option lets RX process Spectral De-noise Quality Modes C and D more efficiently by spreading its processing across multiple computer cores.
  

I/O Options

The RX I/O meter displays a lower bar representing the average level (RMS) and a higher bar representing peak level. There is also a moving line above the bar representing the most recent peak level or peak hold.

• PEAK HOLD TIME: If peak hold is on, you can choose different peak hold times. The choices are 250 ms, 500 ms, 1000 ms, 5000 ms and Infinite. If set to infinite, the peak value will be held until you click on the current peak display.
  
• INTEGRATION TIME: Specifies the integration time for RMS calculation. In most RMS meters, the integration time is set to around 300 ms, which makes the RMS meter similar in ballistics to VU meters.
  
• READOUT: Allows you to control what level value is displayed on top of the meters: peak or actual (real time). If set to Max Peak, the display will show the highest peak level. If set to Current, the display will reflect the meter’s current value.
  
• ENABLE I/O METERS: Turns the level meters on or off.
  
• SHOW PEAK HOLD: Turns the peak hold display for the level meters on or off.
  

Latency

Some of the processing modes in the RX plug-ins are very CPU intensive and result in a delay of the signal. That is, RX needs some time to process the audio before it can send it back to the host application. That time represents a delay when listening or mixing down.

Most modern DAWs and NLEs provide delay compensation—a means for RX plug-ins to tell the application it has delayed the signal, and the host application should “undo” the delay on the track (usually by adding compensating delays to other tracks in real-time processing, or by adjusting the rendered file after processing in offline processing).
When Enable Delay Compensation is enabled in the Latency menu, we will report our latency to the host application.

If your application doesn’t support it, or skips/stutters with this option on, you can always manually correct the delay offset in the host application (manually edit out the short delay of silence). To help you perform manual correction, the delay RX introduces is shown below as Total System Delay in both samples and milliseconds.

RX Advanced is iZotope’s flagship audio-correction/fixing application. A couple of versions ago, the app became a true editor with the ability to record and edit audio and to fix, correct and adjust using sophisticated machine learning algorithms. As with all technology, the app continuously evolves and improves, and the latest version, RX 7 Advanced, is now capable of intelligently identifying vocals, bass, percussion and other instruments in a mix. In addition, RX 7 Advanced now also supports surround sound.

The RX interface gives users a synthesized overview of recorded audio, with the waveform in blue on top of the sound’s spectral information. In order to understand exactly what you’re fixing or editing, you need to understand that the waveform only represents the sound’s volume, whereas the spectrograph shows the sound’s energy, i.e. the different frequencies, harmonics, etc. You can process a complete file or selections of it.

With RX 6 Advanced, you could change music in ways that sound perfectly natural — not a hint of having done it in software. With RX 7 Advanced, you can do the same to dialogue. In fact, RX 7 Advanced is so good at correcting imperfections in recordings, in many cases you will be able to use it as a faster and cheaper alternative to ADR.

RX 7 Advanced with Dialogue: an Alternative to ADR

I quickly realized this when I experimented with the Dialogue Contour module. When I’m recording a video tutorial for some app, I have a tendency to increase my voice’s pitch as I approach the last part, but then realize I still need to add a closing thought. Often, that turns out to be totally uncalled for — at which point I find myself with an end that sounds like it’s a question.

The only fix so far has been to start over again or record a voiceover. That’s hard to synchronize with the rest of the video without software like VocAlign or Revoice Pro. With RX 7 Advanced’s Dialogue Contour, however, I can now just lower my voice in the module, and you won’t hear that it was not recorded that way, no matter how hard you try.

With RX 7 Advanced, you can also isolate or remove dialogue or vocals from music. When in a video of a restaurant with background music, for example, the dialogue is hard to hear, you can fix that with Music Rebalance. This also allows you to create instrumental (or acapella) versions of songs by removing the vocal elements and isolating the vocals from the background music. I had my doubts about this, but after trying it out myself with different settings, I am truly astonished that it works so well. I could even isolate Cecilia Bartoli’s voice from the violins in an aria on The Salieri Album. Admittedly, with the default setting there was a tiny bit of bleeding from those violins in her voice. But a bit of experimenting with the slider delivered a pure vocal signal.

De-Reverb is a module that has been available in RX Advanced for some time, but now there’s also Dialogue De-Reverb for removing unwanted reverb from dialogue clips using an algorithm optimized for a “spoken signal”. I tried that with a recording of an announcement over the intercom by a museum guide in a cathedral. That didn’t work because the signal was 99% reverberation. However, speaking myself in a microphone in that same cathedral worked much better than I could have imagined. This module, too, could be used in place of ADR.

Surround Sound

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RX 7 Advanced now also supports 7.1.2 multichannel surround sound. It lets you work on multichannel projects by toggling between all channels in one view or displaying a summed view. You can also turn individual channels on and off, summing only the ones you want to work on.

Finally, iZotope’s RX 7 Advanced has assistive audio technology. This module is an intelligent repair tool that can detect noise, clipping, clicks, and more. It’s designed to speed up correction and edits. All you need to do is select the type of material (music, dialogue, other) and let RX 7 Advanced analyze the audio. The Repair Assistant then offers different suggestions for processing, using multiple modules, as well as three different intensities for each.

Your task is reduced to reviewing and auditioning, hitting Render, and letting Repair Assistant perform its magic.

I found the Repair Assistant to be really helpful with certain audio files and less so with others. Unfortunately — and as far as I could see — there’s no fixed rule to determine whether or not files are suitable to run through the Repair Assistant. The only rule I could deduce was that, if the audio has many sudden, unexpected artifacts that you can’t categorize as noise, clipping or clicks — and certainly when they sound like they’re really part of the signal you want to rescue — Repair Assistant sometimes isn’t going to cut it. Yet. I expect it to keep improving in future releases.

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Insight 2

Besides RX 7, iZotope also upgraded its audio analysis tool, Insight. Insight 2 works in tandem with an iZotope plug-in, Relay, that allows you to monitor the interaction of two or more tracks or channels with the track you’re analyzing. If you insert an Insight 2 instance on the Master track, you can analyze up to eight different tracks upstream.

Insight 2 has new features as well. For example, the Intelligibility module allows you to measure whether your dialogue mix holds up in different listener environments. With the Intelligibility meter inserted on the master track, you can ensure that a dialogue is clearly understandable in low, medium and high noise environments. How those are defined remains somewhat obscure, although it does work as you’d expect. The meter requires that a Relay instance, which is inserted on a track or bus that feeds into the master output, be selected as the Source instance.

Another module that can tap into the Relay feature is the Spectrogram (2D or 3D), which provides a spectral representation of audio varying over time, allowing you to analyze individual elements within a mix. It can display data for up to eight sources simultaneously by selecting Relay instances in the source selection menu.

As with RX 7 Advanced, Insight 2 supports surround sound. For example, you can monitor the loudness of your surround sound mixes with support for Dolby Atmos 7.1.2 track configurations, but you can also monitor the surround sound field with a surround scope that shows the amplitude of surround channels. The Surround Scope not only monitors the phase relationship between neighboring audio channels, but also displays an alert when there is a negative correlation or phase cancellation taking place.

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Conclusion

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The RX 7 Advanced upgrade focuses on the human voice in both musical and noisy environments. It succeeds brilliantly at extracting vocal signals for you to manipulate. The vocal capabilities of RX 7 Advanced are so good that you can use RX 7 Advanced to fix dialogue instead of performing ADR.

Both RX 7 Advanced and Insight 2 now support surround sound, which makes them very suitable for cinema and video. Combined with the rather spectacular results you may expect from the machine-learning algorithms, there are now numerous cases which you don’t really need an experienced sound engineer for anymore.

In short, both apps deserve at least a closer look — a demo download is available — after which I think you will find them both must-haves.